I am so excited to be teaching this residential retreat for a week at Varuna focusing on reading and writing the novel. This year’s week is booked out.
What do you do next?
Start to Write is a one-day writing course to kickstart your writing life.
On the terrace of Australia’s largest independent publisher, you’ll get the hands-on teaching you need to start writing, from acclaimed tutor and novelist Claire Corbett. You’ll be writing there and then, getting instant responses, experimenting with structure and techniques, plus tips on what to do next to start your writing life.
This panel on technology for the City of Sydney Library will be lots of fun.
Technology plays a pivotal role in our daily lives; in the way we work, communicate, shop and spend our time. This panel explores surveillance, connectivity, the changing workplace and the role of technology in consumerism.
Very excited about presenting my paper on mermaids to this conference in Copenhagen.
Very much looking forward to teaching this one day course at the NSW Writers Centre – will be so much fun.
When: Saturday 14 October, 10am-4pm
Cost: Full Price: $180; Member: $125; Conc Member: $110
Level: All levels and types of writer will benefit, including academic writers and journalists
In this energising, fun and interactive course, you’ll learn how to create a daily journal for capturing ideas, enhancing productivity, and prioritising tasks. The aim is to reduce stress while increasing focus, organisation and playfulness. The course blends approaches from a number of sources on productivity and incorporates insights from brain research to harness what we know about motivation and concentration. The resulting approach is endlessly customisable. You can spend as little as five minutes a day on it. It is, in essence, a practical approach to mindfulness, with a focus on calm, creativity and clarifying priorities.
The day will include exercises, supporting information, tips, techniques, and pointers on where and how to find more information after the course has finished. The journal you end up with will give you an overview of your life, a forward-looking tool to generate ideas and complete projects, but also a review tool for learning lessons, and a record of your journey, as colourful and detailed as you want it to be.
Expected Learning Outcomes
How to begin: how to set up a daily journal to capture ideas, enrich creativity and prioritise tasks
How to continue: an understanding of how to use a range of journal techniques to achieve large goals such as writing a novel or finishing a degree
How to take it further: understanding how and why an analogue journal complements digital tools and how to progress beyond the exercises and techniques offered during the course to continue learning and customising your journal.
You will need to bring a blank journal, preferably about A5 size, no dates or days. The pages can be blank or lined but dotted is generally best (this will be explained on the day). You will also need to bring a pen or three (preferably at least black, blue and red) and a ruler. Coloured highlighter markers are very useful.
The journal can be as basic or as fancy as you wish: many consider the Leuchtturm 1917 Bullet Journal to be the ultimate journal, or the Moleskine. These journals are beautiful, useful, and the perfect size but they are not cheap so do feel free to bring along whatever journal is best for you. This is a tool you will use every day for it to be effective, so if possible choose one that delights you without inhibiting your creativity.
I’m really looking forward to this – will be a great evening.
MIFF Talks – Dystopia on Film
Genre: Sci-Fi Share
Co-presented with Overland magazine
Drawing on MIFF’s Sci-Fi retrospective and looking at how cinema harnesses contemporary anxieties to show us where we might be headed, some of the best minds around dissect the darker corners of the future in this panel discussion about Dystopia on Film.
Panellists include Alexandra Heller-Nicholas, Ben C Lucas, Claire Corbett and Jennifer Mills; moderated by Adolfo Aranjuez.
This is the most amazing looking writers’ festival, with so many fascinating writers, from Dava Sobel and Kenan Malik to Marie Munkara, John Safran, Anna Krien – too many to list. I’m on three panels and so looking forward to them – Friday 11th August 1:30-2:30pm – ‘The Lure of Crime’, Saturday 12 August 10-11am Future Imperfect with Merlinda Bobis and Sunday 13th August 11:30am-12:30 – Tomorrowland.
On 29th July I will be on a panel with Michael Robotham as part of a celebration of Avalon bookstore Bookoccino’s 25th Anniversary. There will be all kinds of events throughout the day, including a children’s drawing workshop with actor Richard Roxburgh. It will be a great day.
I’m so happy to be part of this speculative fiction festival on at the beautiful NSW Writers Centre tomorrow. I’ll be talking all things AI and cyborgs with Sean Williams, Krissy Kneen and John Birmingham and there will be wonderful sessions with James Bradley, Julie Koh, Kaaron Warren and many other wonderful writers I am so looking forward to seeing.
10:00am – 11:00am
@ The Carrington
SINS OF THE PAST
Award-winning British writer Natalie Haynes’ book The Amber Fury explores a contemporary murder and its narrative connections with the ancient Greek tragedy plays. Australian writer Maggie Joel’s The Safest Place in London, a 1940’s wartime drama, reflects this author’s fascination with time and place. Session Chair Katherine Johnson’s mystery The Better Son, a novel about family secrets and lies, is set in 1950’s Tasmania.
11:00am – 12:30pm
@ The Carrington
LOVE AND MUSIC
Graeme Simsion’s latest book The Best of Adam Sharp is set in France and has been described as ‘a dilemma with lots of music’ with ‘complications, transgressions and resolutions’ for its main character. Claire Corbett’s Watch Over Me is a thriller of love under the pressure of occupation and war in which music plays an important role. They talk about their work with Varuna Chair David White.